The Car Blind

BigHorn Sheep, Bandlands
Big Horn Sheep, Badlands

Wildlife photography presents the nature photographer with many challenges. One of the foremost is getting close enough to the animal to create an effective image, while not disturbing the animal, affecting it’s behavior, or putting oneself in danger. Because wildlife is often most sensitive to the presence of things that look like humans or other large mammals, when possible many wildlife photographers will make use of a blind–a general term for any sort of structure, tent, or what have you, that renders the photographer less visible. Numerous styles of blinds exist, some are as simple as camouflaged tarps that disguise the form of the photographer, while some are elaborate structures. While dedicated blinds have their place, I’ve often had good success photographing using my car as a blind. (more…)

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Alien Skin Software’s Photoshop Plug-ins

A wide range of add-ons to help you create sometimes startling, sometimes pretentious images.

Original. I made this f/4.5 exposure of these columbine blossoms with a Nikon D300 and Nikon 10-24mm lens (at 24mm), by available light. Breezy conditions dictated a fast shutter speed (1/500) and the shade mandated a high ISO (1600). Follow this image through its various iterations brought about though the use of Alien Skin Software's plug-ins. Photo  ©2009 Jack Neubart. All rights reserved.
Original. I made this f/4.5 exposure of these columbine blossoms with a Nikon D300 and Nikon 10-24mm lens (at 24mm), by available light. Breezy conditions dictated a fast shutter speed (1/500) and the shade mandated a high ISO (1600). Follow this image through its various iterations brought about though the use of Alien Skin Software's plug-ins. Photo ©2009 Jack Neubart. All rights reserved.

I’ve worked with Alien Skin Software plug-ins for years. As with other plug-ins, I at times became so enchanted by them that I lost sight of the original image or my purpose in using the plug-in. And once I realized that I was allowing myself to be swept up in this mania of adding effects just for the sake of doing so, without rhyme or reason, I pulled back and placed some restraints on myself– actually, it’s an ongoing process. (more…)

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Q and A: Is it worth upgrading to digitally optimized lenses?

Question
I own three old Nikon AF lenses from the days when I was shooting film with a 35mm Nikon (N80) camera. Last week, I bought my first digital SLR, a D90. The old lenses work fine with it, but my dealer said that new Nikon DX digital lenses would provide better image quality. How much of a benefit would I really get with new digital lenses? R.H.

Answer
Before answering your question R.H., I’ll discuss some recent developments. The newer AF Nikkor lenses come in two distinct types. The DX series was designed exclusively for cameras with a small DX-size (23.6 x 15.8 mm) sensor, so they are quite compact. The multi-platform AF lenses — now called FX format — are larger, so they’re suitable for 35-mm SLRs, digital SLRs with the DX size sensor, and with the Nikon cameras that employs a much larger (36 x 23.9 mm) sensor. (Your old lenses can be defined as multi-platform as well). (more…)

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Cairo Report: The Real Thing?

tes_zeqr_01

This is the second episode recounting my pursuit of authentic Zeqr, the Egyptian Sufi ceremony, after my first experience in a neighborhood of Old Cairo was somewhat diluted by a competing soccer match. This time, the Zeqr ceremony was supposed to be even more authentic because it was to take place on a Thursday night in a small rural village on the western banks of the Nile River called Matawat.

I am ready by the agreed-upon time of 10:30 pm, and wait for the hoarse honk of Abdel-Fattah’s (aka Kojak) rickety taxi. It sounds right on the dot; an extraordinary feat in Egypt where time-keeping is rarely part of the national DNA, and we are on our way, amidst gas fumes and an exhaust pipe ominously rattling against the Peugeot’s floorboards. My gear is primed and ready, and I am really excited at the prospect. I knew this was to be the real thing; especially since it was Badawi’s father who had arranged it for me to photograph and record the ceremony. (more…)

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Four Tips for Working a Photo Exhibition


Working a Reception (Photo Courtesy Mary Smith)
Working a Reception (Photo Courtesy Mary Smith)

My two-person show “Rhythms” opened last night in San Jose, and the reception was a blast. It can be a challenge to get the most out of a show of your photography, I’m often astounded by how many artists believe that their work will “sell itself”, but nothing could be farther from the truth. Here are a few tips for getting the most out of your photo exhibitions.

1. Make sure your pricing makes sense. Most venues will want about half of the gross of any sales of your work, which means that your half has to cover printing, matting, framing, labels, and oh, you wanted to make a profit, too, right? One of the biggest mistakes I see artists make is underpricing their work. If you don’t make it clear that to folks that your work is valuable, why should they believe otherwise? (more…)

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DIY Photo Case

Every now and then, I find walking through Home Depot with a cup of coffee, early on Saturday mornings very relaxing. Not sure why, but it just seems to clear my mind. While walking down the toolbox aisle, I spotted the Stanley Mobile Storage Tool Chest and thought, hummmm this could come in handy. (more…)

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Large vs. Small Sensors — Pro’s and Con’s

Before switching to digital capture, the majority of long-time photo enthusiasts used analog SLR cameras with a 24x36mm film frame. This format was the most common in conventional photography but it was virtually abandoned when affordable digital SLRs were being developed. While a few of the early pro cameras employed a 24x36mm sensor, they were prohibitively expensive. In order to keep their consumer-oriented DSLRs more affordable, all of the manufacturers decided to use smaller — and hence, much less expensive — sensors.

An increasing number of DSLRs are employing an oversized sensor, the same size as a frame of 35mm film. As we'll see, this aspect can provide some significant benefits but also some drawbacks.
An increasing number of DSLRs are employing an oversized sensor, the same size as a frame of 35mm film. As we'll see, this aspect can provide some significant benefits but also some drawbacks.

(more…)

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An Introduction to the North Coast Redwoods, Part II

Trillum, Jedediah Smith State Park
Trillum

(Part one of this “introduction” can be found here.)

Heading North from Redwood National Park, Highway 101 passes through the town of Klamath and continues towards Del Norte Redwoods State Park. Del Norte primarily serves campers, but the challenging Damnation Creek Trail provides a beautiful 2.5 hike to a small beach cove.

Continuing north past Del Norte Redwoods you descend towards Crescent City, California, at the south end of town (and you’ll want a map or directions) you can head east and connect with Howland Hill Road which will take you to Jedediah Smith State Park. Because Jed Smith isn’t right on Highway 101, and because Howland Hill is unpaved, this area receives less traffic than the Redwood NP/Prairie Creek Redwoods SP area to the South, making for a more relaxing and meditative photographic experience, particularly in spring or fall. (more…)

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My New Pocket Guide

What makes photography so interesting is the constant learning process: new equipment, new techniques, new software. It can become overwhelming at some point. Well thankfully there are plenty of resources available to feed the mind and expand your knowledge. My latest read has quickly become my favorite, my new pocket guide so-to-speak. Joe McNally’s The Hot Shoe Diaries: Big Light from Small Flashes (Voices That Matter) is not only fun to read, as is Joe’s style, but it’s also a fantastic source to learn how to master the use of small lights. (more…)

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