Review: Lumapix FotoFusion
This isn’t really a review so much as it’s a giant, stinky, slobbery dog-kiss on the people who make this program. I can’t believe I waited so long to buy it.
Book Review: Art & Fear
I frequently get questions from folks looking to pursue a career in fine art nature photography, as with many forms of art, there are many who would love to pursue it, but few who do. While the primary reason for this is financial, another part of the barrier is simple fear. It is to this audience, the beginning or mid-career photographer (or other artist), that Bayles and Orland’s famous tiny ::amazon(“0961454733″,”Art and Fear: Observations on the Perils and Rewards of Artmaking”):: is addressed. While many books attempt to cover the particulars of pricing, of stock photography, of sales technique, few cover the inner hurdles real-world artists face in embarking on art as a career, and none do it so well as Art & Fear. (more…)
Book Review: Art & Fear
I frequently get questions from folks looking to pursue a career in fine art nature photography, as with many forms of art, there are many who would love to pursue it, but few who do. While the primary reason for this is financial, another part of the barrier is simple fear. It is to this audience, the beginning or mid-career photographer (or other artist), that Bayles and Orland’s famous tiny ::amazon(“0961454733″,”Art and Fear: Observations on the Perils and Rewards of Artmaking”):: is addressed. While many books attempt to cover the particulars of pricing, of stock photography, of sales technique, few cover the inner hurdles real-world artists face in embarking on art as a career, and none do it so well as Art & Fear. (more…)
Review: David Ziser Digital Wake-up Call Seminar
David Ziser is currently on tour with his Digital Wake Up Call Seminar. Last night he was in Tampa, and I went to see his presentation.
I’ll be honest and tell you that I’ve never actually been to this sort of seminar before. Occasionally, a big-name photographer will pass through Tampa running some sort of seminar and I’ll toss around the idea of going to see it… but usually I pass. I’ve been a fan of David’s work for some time and so I decided to lose my virginity with his seminar. (more…)
Food photography – the basics
As a photography student I was encouraged, and in many cases assigned, to many different types of photography. We were given individual assignments on portraits, still life, products, journalism, industrial, architecture, etc. As I progressed through school, individual assignments gave way to elective courses specific to certain types of photography. Of course learning the technical and aesthetic challenges associated with different types of photography is important to any well rounded education, but more important was the ability to learn about yourself and what types of work you are best suited to. It was during these years that I discovered I really enjoy the slow, methodical processes of studio work and as a natural extension of that I gravitated towards food photography. (more…)
Shooting ice cream…
…and other frozen treats is delicate and very technically challenging. It’s also a lot of fun. Working with real food is always my preference when possible. I’ve found that the time spent in creating fake food is often better spent by making real food look better. Frozen and very cold items is one of my exceptions to this rule. (more…)
Now is a great time to start a…
… insert venture here.
It could be a photography business (or expansion of an existing business,) maybe a magazine or newspaper, maybe a creative services company or a consulting firm. Things are tough all over and everybody is re-evaluating their budgets and plans. That spells opportunity. (more…)
Is it live or is it Photoshop?
I find myself reading more and more discussions about technical skill vs. Photoshop. There is a certain amount of resentment from photographers who have spent considerable time and effort honing their skills only to see “poor” photographers cutting into their market by fixing their inferior work after-the-fact in Photoshop. (more…)
Splash and pour shots
One of the most fun types of shoots we get asked to do regularly is the pour shot. I personally like the pour shot because it’s technically challenging, visually arresting and sometimes unpredictable. (more…)
How many is too many?
I read somewhere recently that the fewer images you show your clients, the more sales you will make.
I think about this a lot. I think about it pretty much every time I’m putting together images from a session to show a client.
Let’s say that we shoot an engagement session together and from that session I have 200 images. On the first pass I’ll probably narrow that number down to about 80. On the second pass I’ll begin to drop images that are in the same style and the same pose ( there’s no reason to have 12 images of a couple sitting the exact same way.) By the time I’m done I might have 30 to 50 images left to show.
Is that too many? I think that if you asked a lot of photographers most of them would say “yes.” But, here’s my problem: I don’t think I have ever shown a selection of images to a client where the client didn’t pick out at least one image that I personally think is not good. (more…)