Tips and Techniques | Photocrati

The Car Blind

BigHorn Sheep, Bandlands — Big Horn Sheep, Badlands

Wildlife photography presents the nature photographer with many challenges. One of the foremost is getting close enough to the animal to create an effective image, while not disturbing the animal, affecting it’s behavior, or putting oneself in danger. Because wildlife is often most sensitive to the presence of things that look like humans or other large mammals, when possible many wildlife photographers will make use of a blind–a general term for any sort of structure, tent, or what have you, that renders the photographer less visible. Numerous styles of blinds exist, some are as simple as camouflaged tarps that disguise the form of the photographer, while some are elaborate structures. While dedicated blinds have their place, I’ve often had good success photographing using my car as a blind. (more…)

Cairo Report: The Real Thing?

This is the second episode recounting my pursuit of authentic Zeqr, the Egyptian Sufi ceremony, after my first experience in a neighborhood of Old Cairo was somewhat diluted by a competing soccer match. This time, the Zeqr ceremony was supposed to be even more authentic because it was to take place on a Thursday night in a small rural village on the western banks of the Nile River called Matawat.

I am ready by the agreed-upon time of 10:30 pm, and wait for the hoarse honk of Abdel-Fattah’s (aka Kojak) rickety taxi. It sounds right on the dot; an extraordinary feat in Egypt where time-keeping is rarely part of the national DNA, and we are on our way, amidst gas fumes and an exhaust pipe ominously rattling against the Peugeot’s floorboards. My gear is primed and ready, and I am really excited at the prospect. I knew this was to be the real thing; especially since it was Badawi’s father who had arranged it for me to photograph and record the ceremony. (more…)

An Introduction to the North Coast Redwoods, Part II

Trillum, Jedediah Smith State Park — Trillum

(Part one of this “introduction” can be found here.)

Heading North from Redwood National Park, Highway 101 passes through the town of Klamath and continues towards Del Norte Redwoods State Park. Del Norte primarily serves campers, but the challenging Damnation Creek Trail provides a beautiful 2.5 hike to a small beach cove.

Continuing north past Del Norte Redwoods you descend towards Crescent City, California, at the south end of town (and you’ll want a map or directions) you can head east and connect with Howland Hill Road which will take you to Jedediah Smith State Park. Because Jed Smith isn’t right on Highway 101, and because Howland Hill is unpaved, this area receives less traffic than the Redwood NP/Prairie Creek Redwoods SP area to the South, making for a more relaxing and meditative photographic experience, particularly in spring or fall. (more…)

How to get them to smile at a wedding

I’m going to reveal a little trick that I use… a super-secret weapon in the constant battle to get people to pay attention to me when shooting formals at a wedding.

Wedding photographers know what I’m talking about but for the rest of you I’ll explain. After the wedding ceremony, when the photographer is shooting the formal portraits, it’s very common for a lot of people to be loitering around. You’re shooting a lot of groups plus there’s just general mayhem. This can make it tricky because you’ll be trying to take a picture and the subjects are constantly being distracted. It’s important that you take the pictures as quickly as possible and frustrating when every shot is ruined by someone looking away from the camera.

Enter “The Magic Egg.” (more…)

An Introduction to the North Coast Redwoods, Part I

The coast redwoods (Sequoia sempervirens) of California’s north coast include the tallest trees on Earth, with several examples of individual trees over 370 feet tall and provide amazing photographic and sometimes challenging photographic opportunities. This weekend I’ll be travelling to the California’s north coast (roughly betwen the towns of Trinidad, California and Crescent City, California) to visit the constellation of four parks (Redwood National Park, Prarie Creek Redwoods State Park, Del Norte State Park, and Jedediah Smith State Park) that to my mind represent some of the finest redwoods photography opportunities available. In this article, I hope to give you a taste of those incredible areas and add a few words about the opportunities and challenges they present.

Starting from the south, Redwood National Park is the most natural place to begin our virtual tour, the National Park Service maintains a visitor center there (actually just south of Orick, CA) and in Crescent City which can provide excellent information and maps of both this park and the three state parks as well. A trip along the Newton B. Drury Scenic Parkway (which runs through Redwood NP and Prairie Creek SP) makes an excellent first introduction to the redwood environment, as the road wanders through enormous columns of tree creating a vast virtual room, carpeted with fern and trillium. The strangely-named Cal-Barrel Road (a quick turn off the parkway) offers an excellent introductory location to start your explorations. (more…)

Cairo Report: Zekr, or Soccer?

On my way to Cairo I developed a plan to photograph and document the zekr; a form of ritual performed by Sufis, a sect of Islam frequently considered as too liberal and too progressive by the more orthodox theological authorities in Egypt and the Islamic world. It was a tall order since I was after the authentic zekr, not some version diluted or prettified for the tourists and tour groups. It was therefore by pure luck that I discovered someone with strong connections to one of the Sufi tariqahs or sub-sects, and who promised me full access to a number of these rituals. The devotions of many Sufis center on the zekr, a ceremony at which music, body movements, and chants induce a state of ecstatic trance in the disciples. (more…)

Review: The Kacey Beauty Reflector

I was recently given the opportunity to experiment with a Kacey Beauty Dish, so I decided to put together a review/explanation/demonstration.

One of the blogs I read all the time is the Strobist blog (www.strobist.com). David Hobby has been writing this blog for a while now, and I have learned lots from him.

One of the great things he did when he got started was he realized that it was not going to be possible for him to answer every question, or respond to every comment. So, being the innovative person that he is, he started a flickr forum that allows various photographers from all over the world to learn, share and teach one another.

That forum is here: http://www.flickr.com/groups/strobist/

Recently on this flickr forum there was a review and discussion about the Kacey Beauty Dish. Musician/photographer Steve Korn apparently got one to play with, and offered his opinions in a well-written review here.

I was lucky enough to be able to play with one of these beauty dishes (Kacey calls them “Beauty Reflectors”) recently, and took it on several different shoots. (more…)

Fun with Sunstars

One of the stranger and more interesting artifacts you’re likely to come across in photographing nature is the sunstar. You’ve probably seen the effect, or one like it, where bright points of light. While many of these effects are the result of ::amazon(“B00004ZCDV”, “specialized star filters”)::, effects like this are, in some situations, easy to create without a filter due to a strange quirk in the physics of light, the phenomena of diffraction. Fortunately, you don’t need a degree in physics to get sunstars in your own photos, just a few simple tips. (more…)

A Quick Introduction to Mono Lake

Mono Lake is one of the most famous California nature photography sites, that fame is a consequence of both it’s photographic and environmental history. Environmentally it supports the second largest population of California gulls (the first, paradoxically, being in Utah), that support was threatened by the diversion of streams that provide water to the late for use by the Los Angeles Department of Water and Power, 300 miles away. Photographically, tufa, the strange limestone formations exposed by the lowering lake level, the backdrop of the Sierra Nevada to the west, and the gull population provide a rich source of photographic opportunities. In this post, I hope to excite you (just a little bit) about the area, and suggest a few places you might want to begin your photographic exploration of the area.

The most frequented area of the lake is the “South Tufa Area”, located along the south side of the lake. While often a busy and well-frequented area, the number, size and variety of the tufa formations there are unparalleled. Your biggest challenge many times of year will be other photographers, but the area is large and gets interesting light both at sunrise (both toward the Sun and toward the Sierra) and just past suns, when the geography and elevation often provide strong, saturated earth shadows such as the one in the image I’ve included above. (more…)

Shoot the Moon!

One of the wonders of the night and twilight skies is the moon, and yet the moon can be a challenging subject to integrate into a landscape shot. There are several reasons for this, exposure problems, apparent size, depth of field, getting the moon near the horizon and subject movement all take their turns at making landscape photography with the moon a challenge. In this post, I’ll outline the different challenges in incorporating the moon into your landscape photography, and then provide some suggestions for how to work with these different limitations.

The first problem most people run into is the size problem. For a variety of reasons, we usually “see”, subjectively, the moon as larger than it is, in a pure angular sense, it’s actually quite small, perhaps half a degree in diameter. How big of a telephoto do you need to handle this? Well, if you spent over $100,000 on Canon’s biggest baddest EF lens and popped it onto a full-frame camera with a 2x teleextender, the moon would still probably barely but entirely fit in the view. That’s 2400mm of effective focal length, so if you include the moon in a 24mm image, you can guess that the moon is going to be a lot smaller (not quite 100 times smaller, but that’s not a bad guess) than the frame. If you imagine a big moon in a wide, wide landscape, you’re likely to be disappointed, the math just doesn’t work.

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