Stay away from the light!
In my last post I talked about David Zizer’s new seminar. This time around I’d like to talk a little bit about what I took away from the experience and how I plan to use it to make myself a better photographer. (more…)
In my last post I talked about David Zizer’s new seminar. This time around I’d like to talk a little bit about what I took away from the experience and how I plan to use it to make myself a better photographer. (more…)
David Ziser is currently on tour with his Digital Wake Up Call Seminar. Last night he was in Tampa, and I went to see his presentation.
I’ll be honest and tell you that I’ve never actually been to this sort of seminar before. Occasionally, a big-name photographer will pass through Tampa running some sort of seminar and I’ll toss around the idea of going to see it… but usually I pass. I’ve been a fan of David’s work for some time and so I decided to lose my virginity with his seminar. (more…)
As a photography student I was encouraged, and in many cases assigned, to many different types of photography. We were given individual assignments on portraits, still life, products, journalism, industrial, architecture, etc. As I progressed through school, individual assignments gave way to elective courses specific to certain types of photography. Of course learning the technical and aesthetic challenges associated with different types of photography is important to any well rounded education, but more important was the ability to learn about yourself and what types of work you are best suited to. It was during these years that I discovered I really enjoy the slow, methodical processes of studio work and as a natural extension of that I gravitated towards food photography. (more…)
I’ll be the first to admit, I see photographers do shoots in exotic locations, shooting beautiful models or covering major sporting events and yes I get a little envious but there is something to be said for being a corporate photographer. First – the steady paycheck and benefits are nice, tuition reimbursement, paid time off is also nice and now and then an interesting assignment comes your way, like flying in a helicopter with the Army or freezing my butt off in the second largest wind tunnel in the country – NASA tops the list. But with all the nice things about being a corporate shooter there are as many downsides to this type of photography.
Where do I begin”¦. (more…)
Photo ©Tewfic El-Sawy-All Rights Reserved.
I’ve just returned from Kerala, India where I was leading a 2 weeks photo-expedition to this area whose tourism slogan is “God’s Own Country”. Geographically, the region is called the Malabar Coast, and it includes most of Kerala state and the coastal region of Karnataka state. This is extremely diverse area, with ancient ties to maritime trading routes with the Arabian Gulf and much beyond.
The highlight of the expedition was the unique Theyyam rituals and performances, which are indigenous to a small rural area in north Kerala. This opportunity provided a window into a world of remarkable and ancient traditions, seldom seen (nor appreciated) by mainstream tourists. (more…)
While most of my professional photography involves the great outdoors, I do have a sideline business, I photograph paintings and other artworks for use in gallery submissions, giclée reproductions, etc.
While doing a great job with these images requires a few specialized tools and tricks, most of the photographic recipe is pretty straightforward. Most of the work is digital these days, so I’ll focus on a digital workflow, but most of the same techniques and principles apply when shooting slides—until very recently slides were almost univserasally required for submissions to galleries, consultants, etc., in the fine art world. (more…)
…and other frozen treats is delicate and very technically challenging. It’s also a lot of fun. Working with real food is always my preference when possible. I’ve found that the time spent in creating fake food is often better spent by making real food look better. Frozen and very cold items is one of my exceptions to this rule. (more…)
While ::amazon(“082121750X”, “Examples: The Making of 40 Photographs”):: provides us an unparalleled look at Ansel Adams from the inside, there is also a need to examine Adams’ work and life from the outside, and while no book has entirely taken on that task, one book that approaches it is ::amazon(“0821225154”, “Ansel Adams at 100”)::, the catalog of the centennial exhibition of Adams’ work. (more…)
Ansel Adams’ ::amazon(“082121750X”, “Examples: The Making of 40 Photographs”):: is another excellent book, one which invites comparisons to Rowell’s ::amazon(“0871563673”, “Mountain Light”)::, which I reviewed yesterday. (If you haven’t read that review yet, go take a look.) (more…)
I find myself reading more and more discussions about technical skill vs. Photoshop. There is a certain amount of resentment from photographers who have spent considerable time and effort honing their skills only to see “poor” photographers cutting into their market by fixing their inferior work after-the-fact in Photoshop. (more…)